Hindi Saral 2 Font Download

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Hindi Saral 2 Font:

The Hindi Saral 2 font is a humanist sans serif typeface that supports the majority of Devanagari-based languages. This typeface is available in many weights and has multi-width display capabilities. Let’s take a closer look at Saral. Its monolinear design makes it perfect for use on the Web. It also supports most Devanagari languages, including Hindi. In addition to its versatility, Saral 2 also features a large range of styles, including the classic sans-serifs.

Hindi Saral 2 is a humanist sans serif typeface:

The humanist sans serif typeface family comprises 18 members, including Hindi Saral 2. Developed for normal text sizes, this style features subtle curves at the end of strokes and low contrast. Its wide proportions and rounded edges make it perfect for display type. This typeface license is under the Open Font License, which allows commercial use. Users should consult a lawyer before using the font in any commercial work.

Humanist typefaces have long been associated with calligraphy, but designers have also created sans serif versions that retain the calligraphic qualities of human handwriting. Today, various Latin typeface families use it for everyday word processing and advertising. These typefaces are often called calligraphy-like due to their organic structure and low contrast. The typefaces often have a distinctive style reminiscent of a pen stroke.

Humanist sans serif typefaces are similar to the classic calligraphy style. Humanist letterforms are generally simple and contain minimal contrast. So, the humanist typefaces are popular in government, finance, and education. Some examples of humanist typefaces are Gill Sans and Whitney. Another typeface category is Transitional sans serif. These typefaces characterize by upright, uniform characters.

It supports most Devanagari-based languages:

The Hindi Saral 2 Font is an excellent choice for use in the written form of this language. This monolinear typeface is compatible with most Devanagari-based languages and is suitable for use in many different environments, including the desktop, web, and print. The font supports hundreds of pre-composed conjuncts and varying matra lengths. It is Unicode-encoded, making it compatible with various software systems and operating systems.

The font design by Frans Velthuis and is available in the CTAN archive. It supports most Devanagari-based languages, including Urdu, Hindi, and Marathi. It featured a “volt” table and was created in 1991. The current maintainer of this font is Anshuman Pandey. Hindi Saral 2 Font supports most Devanagari-based languages and is free.

Other fonts available for the Devanagari-based languages include the Saab and Lohit-Punjabi fonts. There are also some fonts specifically designs for the Telugu language. In addition to Hindi Saral, there are also fonts for other languages, including Telugu and Kannada. Several of these fonts support most Devanagari-based languages.

It is a multi-width display font:

Hindi Saral 2 Font is a display typeface by Tall Chai, a Canadian type foundry. Its six different widths mathematically correspond to create a multi-width display font family. Its full European language support, diacritics, and hairline marks make it suitable for display lettering, headlines, and posters. So, it was a popular choice among designers and academics because of its wide range of applications.

So, it is a free font with a large character set. It includes all nine Indian scripts and Latin. The project starts with Girish Dalvi and Ek Type-provided type design assistance. Some of the designers behind Baloo include Supriya Tembe, Noopur Datye, and Aadarsh Rajan. Further, the font also includes a variety of alternate characters for Hindustani, Bengali, and other Indian languages.

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So, the designer of the Hindi Saral 2 Font is Kimya Gandhi. Also, he holds a Bachelor’s degree in Communication Design from the NIFT in New Delhi and a post-graduate degree in Visual Communication from the Institute of Design, Calcutta. In 2010, Kimya interned at Linotype GmbH in Germany, where he worked with various types of foundries and eventually became a partner. He is currently based in Berlin.

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