Linotype Font:
Linotype Font Download Free is a font style for typography and design knowledge. It is also suitable for use in advertising, housewares designs, and packaging projects.
From Gutenberg, until linotypes came along in the 1880s, letters of type had to be cast individually and arranged by hand. While expert compositors could set large amounts of straight text fairly quickly, it was a time-consuming process.
Univers Basic Thin:
The Univers Basic Thin font is an elegant, fun typeface with a playful design. It’s perfect for adding personality to your designs. Whether you’re creating a logo or a brochure, this font will add style and sophistication to your projects. This font is easy to use and comes in a variety of styles.
Univers is a large family of sans-serif fonts, designed by Adrian Frutiger for Deberny & Peignot in 1957. It is classified as a neo-grotesque design, influenced by nineteenth-century German types such as Akzidenz-Grotesk. The name is derived from the French word “universe”, meaning universal, and was intended to cover all aspects of written communication.
It was one of the first families to be designed with the idea that a set of fonts should form a matched range of weights and styles. Previous sans-serif designs such as Gill Sans had significantly greater differences between styles, while loosely related families like American Type Founders’ Franklin Gothic had a wide choice of individual shapes that were not fully matching. This reflected the desire of practitioners of the Swiss Style for neutral sans-serifs which avoided artistic excesses.
The Univers Basic Thin font is available in OpenType and TrueType formats, which means it can be used with both Microsoft Windows and MAC OS. This makes it easy to install and use your favourite software programs. It’s also available for free, making it easy to try out. However, it’s important to remember that this font is for personal use only, and can’t be used commercially.
Brewery Regular:
Brewery Regular is a great font for both text and display purposes. It has a variety of weights and styles to choose from, making it ideal for a wide range of projects. It is also available in both OTF and TTF formats, so you can use it with a variety of software. Its clean lines and graceful aesthetic make it a perfect choice for any design project.
The foundry’s second-floor operation is overrun by a bird, cats, and unpleasant levels of heat enforced by the obsolete machinery. Yet, despite the bird’s endless commentary and the cat’s intermittent proofreading sessions, work is regularly accomplished. Their goal is to create historically influenced typefaces and explore novel designs.
Their first font, Mentor_51, is an example of their unique approach to type design. The foundry collaborates with designers to produce reworked and expanded classic typeface families that are both technologically and aesthetically up-to-date. Their fonts have fine, harmonious weights and often come with new italics. In addition, they include Small Caps and Old Style Figures, which are not available in most other fonts.
Founded in 2022, Evo Studio is a new studio that specializes in typography. Its founders are a team of experienced designers who have a passion for creating fonts that break the rules. It aims to create fonts that elevate your designs and help them stand out from the crowd.
The foundry’s fonts are designed by some talented designers, including Patricia Lillie. Her quirky fonts are characterized by child-like whimsy and broad appeal, allowing them to be used in a wide range of creative applications. She also has a strong love of Cyrillic and enjoys the challenge of designing fonts that respect national peculiarities. The foundry’s first releases are inspired by historic shop signs and reflect Vienna’s typographic individuality.
Palatino:
Named after 16th-century Italian calligraphy master Giambattista Palatino, Palatino is a sturdily built serif font designed to carry long blocks of text with ease. Its large x-height and open counters make it legible, even in small sizes. The rounded shapes of the letterforms give it a friendly and somewhat casual look. The font’s curved lines and slightly thickened stroke ends are also characteristic of the humanist style. Palatino was one of Hermann Zapf’s most popular designs, and it became a standard typeface for digital and desktop publishing.
As computers began to be used for typesetting, the font became less and less popular until it was eventually replaced by Times Roman. Nevertheless, Palatino continues to be an excellent choice for printed texts. Its wide apertures and sturdy construction allow it to show up well on poor paper and print at small sizes. The family includes several weights and styles that can be used to create a variety of text types.
A revival of Palatino called Palatino Nova was released in 1999. The new version of the family was created by Hermann Zapf in cooperation with Akira Kobayashi and includes extended Latin, Greek, and Cyrillic character sets. Two other subfamilies were developed as well – Palatino Sans and Palatino Informal. In the latter, Zapf included some informal characteristics of handwritten fonts that he used to use in his writing. In addition, Lebanese designer Nadine Chahine created a version of the font that incorporates Arabic characters.
